Friday the 13th, 1-6

The last time Cameron and I got together for a video discussion was in late July of 2022. I had picked up COVID on an 18 hour flight from Johannesburg to Atlanta and started coughing so hard (from yapping) that we had to stop. Had I known we both had such a love for Part VI: Jason Lives, I would have pushed for this a lot sooner! I remember doing a few solo vids on TikTok during the Friday the 13th of January 2023 after one of my professors inspired me by signing off an email with a dancing Jason gif, but I recall spending most of my time on Ginny from part II and not a whole lot else. I feel torn between doing this again, paying to tribute to Megan, from VI, my other favorite final girl, or just keeping consistent with the Amy Steele love fest and diving into her performance as Kit in April Fool's Day. MAYBE BOTH.

LOST: It Wasn't Purgatory, Season 3, Episode 4, Every Man for Himself

On-Island Events: 

Survivors: Desmond offers to fix Claire's roof and she declines. He sets up a long metallic rod with wires just outside of Claire's tent, and moments later, lightning strikes it.

Others: Jack is still being held in the underwater cell; just as he was challenging Juliet about who makes decisions on the island, Ben bursts in and tells Juliet he needs her. In the cages, Sawyer and Kate witness Ben and Juliet come running to save the recently-shot-by-Sun Colleen. Sawyer hatches a plan to electrocute Danny Pickett when he comes back. Sawyer tries the plan out on Ben, but fails when Ben anticipates his trick. Ben later brings Sawyer into one of the Hydra rooms and appears to arrange some sort of medical procedure with a needle to the heart. He produces a cage with a white rabbit inside and shakes it, apparently to death. Ben explains the rabbit had been implanted with a pacemaker programmed to explode at a certain elevated heart rate, adding that they'd implanted Sawyer with the same device. 

When Sawyer received his "pacemaker," the intercom in Jack's room switched on and he hears Sawyer struggle. Soon, Juliet bursts in and begs for Jack's help. The group of others place a bag over Jack's head and lead him to a surgical suite where Juliet attempted to repair Colleen's injuries. Jack tries to stop Colleen's bleeding but she dies. In anger, Pickett assaults Sawyer in his cage; Kate pleads for him stop, and when pressed, admits she loves Sawyer. Later, when Kate tries to break them both out of their cages, Sawyer refuses to escape. Both cages are revealed to be under video surveillance, observed by Ben.

Jack refuses to console Juliet about Colleen's death, but instead insists she tell him about an X-ray he noticed on his way into the operating room. He assumes he was meant to see the scan, as it showed a significant spinal tumor. 

Ben brings Sawyer to the top of a hill and informs him the pacemaker was a hoax. However, Sawyer learns that the island he, Kate, and Jack have been on is a smaller, separate island from the one on which they originally crashed. 

Flashbacks: In prison, Sawyer observes a new inmate named Munson being beaten by other inmates. He learns that Munson embezzled ten million dollars from the government and believes the prison warden is involved in trying to claim it. 

Cassidy, the woman Sawyer conned, visits him with a picture of an infant. She tells Sawyer the baby is his daughter, Clementine; Sawyer denies the child is his. Munson finds Sawyer and begs for his help in hiding the money he stole from the government. Sawyer betrays Munson, informs the warden where to find the money, and as a result, gets his sentence commuted. He arranges to have an account created for "Clementine Phillips," under the condition that she never learn who provided the funds. 

Greater Meaning: Sawyer keeps repeating "every man for himself," but through his flashbacks we learn this has been a go-to defense for quite a while, despite intense emotions that may be contrary to his actions. Strange that an imprisoned con man would take his cut of  money recovered from Munson's theft, and give it wholly to the daughter he refuses to acknowledge. 

So we know, now, that Sawyer is capable of love and compassion, and it's clear that he has these feelings for Kate as he chooses her safety over his own. The question of what they're doing on the second island remains to be seen, as they only seemed to be on rock duty for the one or so days. If Ben plans to let Danny kill Sawyer, as he admitted in the surveillance room, breaking the rocks must not be all that important. Or was Sawyer only brought along in order to influence Kate? They seemed to have much more invested in her experience (clothes, special meeting with Ben, potential favor with Jack) than in Sawyer's, which tracks in consideration of the pacemaker scam to keep him in line.

Further Questions: 

1. Whose tumor is on the scans? 

2. Are Kate and Sawyer dating now? 

3. What happened to Cassidy and Clementine? 

4. Will Jack, Kate, and Sawyer ever get off the second island? 

5. Why does Ben always do such stupid shit to trick people? 

6. Is Desmond psychic? 

Jane Austin Wrecked My Life

I feel like I've been crying all day. First I went to this film and then I came home and watched the first episode of this season's Handmaid's Tale so the works just keep on watering. I made the decision to start seeing films in the theater again, which I'm a little sad about not getting to do for free anymore since my daughter no longer works at AMC, but whatever. One of the happiest times in my recreational life was when I signed up for the 3-a-week subscription back in 2018 and went to several morning matinees while my kids were in school. I don't think I even wrote about most of them, I just went and watched, taking it all in the moment, I guess. As I am in a holding pattern with two things with my school program right now and recovering from a very rough spring semester (mostly due to a few of my organs deciding they'd had enough of my bullshit and consequently failing/inflaming), I thought it appropriate to seek out as many happiness-producing activities as possible. Turns out you can't just drink for ten years and then ignore your self-care because you're busy. Or at least I can't. 

Anyway, I re-upped the theater subscription; this time you get 4 a week! I will miss having my daughter as a wingman for everything I see, but she's onto bigger and better things and she actually prefers the Edina, now, with its Overlook Hotel writing desk stage upstairs. We used to stop at the bougie Kowalski's in Southdale for Starbies, sushi, and hot cheetos before every film last summer. I love those memories, just like I loved the times I went all those years ago, by myself. 

This film was such a perfect beginning to my summer. I seriously wanted to live inside it, forever. 

Jane Austin Wrecked My Life, 2024. 

Written and directed by Laura Piani 

This film is about books and writing with lovely musical interludes of importance thrown in at pivotal moments. As it takes place in France and is mostly in French, it is a beautiful example of what people do in countries where reading and intelligence and empathy still rank as desirable acts/attributes. It's such a visually beautiful film (French streets, all the books everywhere, Jane Austin's house and all its literary-ness and antiques), it could have well been silent and still been a lovely experience. There were lingering shots of many different decorative elements in the different settings, almost feeling like flipping through very well-composed still photos, and beyond the visuals, the story is emotional and funny. I haven't had the experience of not wanting a film to end in a long, long time, but I wanted to stay with this. It made me want to stay in a fancy house or a little European cafe and read books for days. This is decidedly OPPOSITE of the vibe in America right now. Agathe (Camille Rutherford) says at one point that literature, for her, is like an ambulance speeding through the night that is meant to save people. I think that was the exact moment I started crying (although I came close early on when there was revealed to be a piano *that she plays* in the bookstore). There are no pictures of this piano online yet, nor is there any information about the sonata she plays repeatedly throughout the film. 

I need this title. Someone?

Maybe Reading Could Help: Darkness

I keep thinking about this bit in Dave Eggers' The Every where the main search engine and the main online commerce place have merged and everything is controlled and curated by them--- and halfway through the book it is explained that people in this world quit reading and the skill just went away. The only people around who could still do it were people on the legal teams, because those organizations actually required literacy and comprehension, but nothing else did. No one else gave a shit so there wasn't a need for books anymore and they all just went away. (This gives a little of two different Twilight Zones, both starring Burgess Meredith, and it's upsetting just how correctly Rod Serling had humanity, even 60 years ago) 

I'm not bringing this up because I'm afraid of not being able to read again (I have enough books to last me the rest of my life, no repeats, and I have lots of glasses in case mine break), but it's sad and horrible, thinking about this BRAWNDO HAS ELECTROLYTES world we live in and the direct consequences of an unthinking, unable-to-empathize populace who doesn't care to read. 

Anyway, here's what I read over the last month, I call this stack DARKNESS. The first 3 of them were re-reads, because I'm obsessive and I never get over anything.

1. Everything's Eventual: 14 Dark Tales, by Stephen King

I looked back on other blogs I wrote on this and I guess this is the third time I've read the whole book, although I have read "1408" and the title story a few more times, still. Again, I always read things multiple times, dating back to age 2 when my mother used to read me The Story of Ferdinand or Goodnight Moon when she put me to bed. When she left I would just start it over and recite whatever story to myself, again.

This time I loved: Illustrating the severity of Jack Hamilton's gunshot wound first by having the smoke from the Lucky he inhaled exit out the back of his lung where the bullet hole was (Like Juno in Beetlejuice but less funny and more yikes) and then ongoing, by the various stages of pus and Jack's energy. With a title like "The Death of Jack Hamilton," you obviously expect the guy to die, but these were still nice details. There was a lot of visceral medical stuff in this one I never really noticed before. Infection is no joke, kids. You can't just shrug that shit off.

Also all descriptions of the insane maitre d in "Lunch at the Gotham Cafe", and always with this vibe of very dark humor with the hindsight. Like, who would come up with these metaphors when telling the story of getting randomly chased around with a butcher knife?  ". . . bent forward slightly from the waist as he was, he made me think of a drawing in my sixth-grade literature book, an illustration of Washington Irving's unfortunate schoolteacher, Ichabod Crane." Steve Davis (main character) was clearly over it all before he even walked into that cafe, and often it's these out-of-fucks kind of people that tell the best stories about whatever bullshit they encounter. 

And in "1408," still my favorite in this collection, and I maintain, the scariest: "Whatever there is in that room, it's not shy." NO SHIT. It's a small thing, but why is there always a changing painting in so many of these stories? Evil coming out of neutral decorative objects: fruit to rot; regular teeth to fangs; even the floor changes after everything gets going to include "smooching noises" when Enslin walks on it. Stop it. I'da been long gone at the first hint of motion sickness when the goddamned doors started tilting and shifting right off the elevator. Not to mention how everything is orange--- there's something seriously wrong with this entire setup. 

Reading these all over again helped me laugh a little and appreciate creepy characters and cleverness in storytelling (although I still refuse to read "1408" at night). That settles it. I think I always need to be reading a Stephen King book. 

2. Gone Girl by Gillian Flynn

I am a very different person now than I was when I first read this. This time, knowing what the deal was from the beginning, I started keeping track of who was the bigger liar, and how early this started coming out (Nick's secret cell phone, which details from Amy's diary were somewhat true versus flat out lies, etc.). What I started noticing more was the difference between how Nick's lies and character flaws are peppered here and there throughout the story beginning early on and the truth about Amy's disordered personality is withheld until she explains how has framed Nick for her murder. I think the end goal was to be as if Nick's version he wrote (in the book, that Amy made him destroy) was actually this book, his chapters of Gone Girl, combined with Amy's true account of all the events as she experienced them (first part the diary that she partially reported truthfully and partially made up, second part the truth of everything that happened to her after she abducted herself), and this just really highlights the differences between them: Nick is an asshole; Amy is pathologically disturbed. We receive the negatives about Nick early and consistently; the disturbing problems with Amy's character emerge slowly at first, and then erupt. And because she is the narrator of her chapters of the story, and she's been proven to be a liar and a manipulator, we can never really be certain she's telling the whole truth. 

Could she have genuinely been diagnosed with antisocial personality disorder (psychopathy)? There are hazy details missing from her childhood above and beyond her parents not relating to her or treating her like her own person (although was that even real? she could have made that up, too). She would have needed to meet criteria for conduct disorder in childhood or adolescence in order for APD to apply; it seems odd that this would have escaped both her psychologist parents, but a very smart person with beauty, talent, and resources would have likely found ways to perform the role of a psychologically typical daughter. The moments when Amy criticizes people who are trying to help her--- Boney, the cop ("I find ugly women are usually overly deferential or incredibly rude") Desi, or even her parents--- show her as cold and unfeeling, with no desire to relate with any real humanity. Can she relate to people on this level? Yes. She charms many. But she also uses and frames countless people in her life, and kills Desi with no remorse---like everyone else, he is nothing more than a means to an end. She chooses who gets her painted-on humanity, just as she chooses to disclose certain details in the telling of her story and not others. Amy Elliot probably wouldn't find anything wrong with her actions, nor would she be able to reflect more deeply into why she does what she does. Nick at least knows he's an asshole and could probably pinpoint all the ways and reasons why he is one.

The experience of reading this again was unpleasant, but I have a feeling personality disorders will be making a nation-wide comeback very soon. I thought it would be useful prep. Also I re-watched the film and thought there were several missed opportunities in Fincher's choice not to include the numerous friends from Amy's past who she screwed over. One final thought: I found a scholarly article on apapsychinfo that used popular film characters as a way of discussing the etiology of personality disorders. The authors actually started back with Fatal Attraction's Alex Forest (Borderline Personality Disorder), changed the ending a bit to allow Dan and Beth Gallagher's daughter Ellen to become an orphan in foster care, and suggested that these negative experiences could set the stage for young Ellen to be adopted by two childless psychologists (The Elliots), and subsequently develop conduct disorder and then Antisocial Personality Disorder as Amy Elliot in Gone Girl. 

3. The Handmaid's Tale by Margaret Atwood 

Talk about darkness. What upsets me about reading this now is how it relates so completely with how some people, some who think ectopic pregnancies can be re-implanted or that cameras can be swallowed to record data on fetuses, want to use our government to control women. I used to think it was a fringe element, no more than 40% in the heyday and far less than 20% after the real crazy came out. Turns out it doesn't matter. People still aren't listening, or they're actively siding with Gilead's boys.

"You wait, she said. They've been building up to this. It's you and me up against the wall, baby. She was quoting an expression of my mother's, but she wasn't intending to be funny."

I gotta go with the show over the book on this one; there's at least some revenge happening there.

4. Everything That Rises Must Converge by Flannery O'Connor

Yes, well. Bouncing back to personality, there were several issues with every character in every one of these stories. Everyone is very racist, and the characters who don't believe they are racist, or who believe they are less racist than other people in the story with them are usually the most racist of all. There are class issues, too, farm money, education, religion, etc., but mostly everyone is just really unpleasant. That said, there is an element of inevitable train wreck that comes in reading each of these; the situations themselves that these people are in are actually interesting enough to keep you locked in. As in, what is the guy going to do to purposely embarrass his mother on the bus? Is that little girl going to side with her grandfather or the father that beats her? What is the religious wife going to say about the latest tattoo? Then add to each answer, "and how will this fuck things up worse than they already are?" 

I read "A Good Man is Hard to Find" (very small town, In Cold Blood murder-y) in an English short story class at MCTC in 2000, and as much as I was disturbed by it, these were somehow worse, darkness-wise. O'Connor's feelings about religion are actually kind of valid---something like "the world is so horrible and violent that only God can save us . . ." I wonder what she'd think of organized religion, today.

5. The Splendid Ticket by Bill Cotter 

The darkness in this book is embodied by the character of Dean Lee, who wasn't even that terrible of a human, just made bad choices. Gambling addiction and guns. Bad combo. I had a professor who described a large percentage of her female clients' problems as needing either a winning lottery ticket or a husband-ectomy. Angie needed both.

I hated knowing all along how this was going to end.

Rewatching The Sopranos S2 E3 "Toodle-F**king-Oo"

Family Events: A friendly police officer informs Tony of an underage party at Livia's house. When he arrives, Meadow, Hunter, and others are drunk while another young man is carried out of the house on a gurney into an ambulance, having overdosed on X. Tony and Carmela discuss how best to punish Meadow for the party but feel powerless in knowing their words and actions mean very little to her. When confronted the next day, Meadow feigns regret over the situation and suggests her punishment should involve losing her credit card. Janice initially supports Meadow's independence but changes her mind after seeing the condition of Livia's house. She angrily confronts Tony and Carmela while Meadow listens from upstairs. Later Carmela apologizes to Janice and emphasizes the importance of family. When Tony returns to Livia's house to have the locks changed, he finds Meadow inside, cleaning up the mess.

Mafia Events: Richie Aprile is released from prison; his first move as a free man is to severely assault Paul "Beansie" Gaeta at his pizza parlor. Richie's reunion with Tony is happy but Christopher is humiliated when Richie calls out his domestic abuse of Adriana, Richie's niece. Tony agrees that Chris should heed Richie's warning but then refuses to discuss any further business with him and abruptly leaves. 

Later Tony agrees to discuss business at a mall, but offers little support to Richie, who feels disrespected by Tony's avoidant manner. In his betrayal, Richie goes to Junior and offers his allegiance. At a homecoming party for Richie at Bada Bing, Chris comments on Richie's hostile attitude; Tony assures him things will be alright. That night, Richie returns to Beansie's place and assaults him again, worse, this time striking him multiple times with his car. Tony visits Beansie in the hospital, becomes disturbed by his condition, and then angrily confronts Richie at the mall again. Richie feels his actions were justified.

Mental Health Events: Melfi is at an Italian restaurant with friends when she runs into Tony eating with his crew. She is tipsy from wine and behaves in a silly, flirtatious way, prompting the crew's assumption that she and Tony have a sexual history. While Tony entertains these notions, he is uncomfortable seeing Melfi as she previously refused to continue therapy with him. In her own therapy, Melfi discusses having shown Tony the girlish side of herself due to the guilt she felt over abandoning him as a patient. Later in a dream, she drives by the aftermath of a car accident, where Tony has had a panic attack and crashed, killing himself to the accompaniment of a Wizard of Oz instrumental.

Significant Ideology: Tony's powers of intimidation, while effective among the members of his crew, have no effect on the women of his family. He rarely loses his temper with Carmela, more in her presence but never threateningly, and both Janice and Meadow do not give a single fuck, even when he tries to specifically be threatening. Carmela continues to model positive conflict resolution, apologizing to Janice in a healthy way after their disagreement, and standing up for her beliefs (she won't throw Janice out as "it's not Christian") in front of her children. This is interesting in considering how Meadow eventually accepts responsibility for what happened to Livia's house. Meadow's actions were likely influenced by Carmela's morality and Janice's expressed disapproval, although part of her may have been onto the fact that Janice, if allowed to stay in their house, would continue to have a front-row seat to any further bullshit Meadow might get herself up to. In this way, Meadow ensures Janice will have a place to go, away from her. However, Meadow took pride in her ability to manipulate Tony and Carmela multiple times, and just before Tony observes her cleaning, had left another mess in the kitchen of her own house, making cocoas and grilled cheese sandwiches with Hunter. The writing choices showing Meadow as reckless, cunning, unapologetic, disrespectful, and finally, remorseful and accepting of blame are realistic; teenagers do all these things, and this is typical of normal adolescent development (albeit more so in teenagers who have support at home and who are accustomed to getting the majority of their needs met). The confusion between Tony and Carmela in navigating how to punish Meadow along with Tony's surprise at the end indicates a situation many parents find themselves in when dealing with their children at this age----they don't know enough about the developmental process to understand that Meadow's actions are appropriate for her age and start to panic as their control slips away. Janice, who has not raised children, has learned this somehow, but her empathy for Meadow's quest for individualization ends once it affects her, personally. Janice and Tony were likely punished physically as children; conversations suggest that they were both into sexual and criminal events as teenagers. Carmela's upbringing, in contrast, seems to have been very different, as evidenced by her patience, ability to apologize and forgive, and conflict resolution skills. 

Richie's calculated and unapologetic violence is disturbing, as is his strategic target of each member of Tony's family. His cool, detached manner gives the impression of a very snake-like personality yet at times, his affect is mismatched for the many of the occasions throughout the episode. His smiles toward Tony and even Janice seem faked, while his gleeful expressions while torturing Beansie are much more genuine. He seems shocked at Tony's adherence to speaking in safe areas, and mentions "old school" in reference to himself several times. Ten years is a long time to be in jail; Richie has missed the entirety of the 90s and doesn't seem to understand how much everything has changed. He seems not only to be a sociopath but a very comfortable one, begging the question of how many guys in the crew hold the same values. Tony has clearly been socialized to more emotionally-focused culture due to his wife, who seems to be an emotionally healthy person, his children, who he loves, and now, therapy with Melfi. Richie definitely seems at odds with this, both fundamentally and personally (is he jealous of Tony?)

Melfi's focus on Tony as an element of her own mental health is significant. She was justified in protecting her own safety in terminating therapy with him, yet feels guilty for having done so. What is not explored in her own therapy is her flirtatious reaction toward Tony in context. She happened across him on what was solidly his turf---upscale Italian restaurant, mafia crew occupying the house's best seating, and Tony, the boss, at the head of the table. This happened once before, in the pilot episode, where Melfi had just recently met Tony and maintained his confidentiality by keeping their conversation (which he initiated) short and surface-level, but this time was different. They are no longer in a therapeutic relationship, which was her choice, so there is no issue with their talking in public, but Melfi initiated this time, and prolonged the conversation. With her guard somewhat lessened due to her wine consumption, was she acting upon feelings of attraction that had existed throughout Tony's therapy (drunk actions = sober wishes?) She denounced them the next day in therapy, and they didn't discuss her feelings in the context of the therapeutic relationship (Eliot validates her actions as a woman and a doctor but does not get into countertransference in terms of attraction), but now, after all this, she's dreaming about him, too.

Italian Language: Cazzis ("that's none of your fucking cazzis"); closest translation = "Non sono cazzi tuoi," which is "none of your business."

"Oofah, Ma, state zitt'" (After Livia launches into "I wish the Lord would take me") = "shut up."

Teresa with a T/Black Rose: A Twin Peaks Fan Film

 Exciting news!  

Cameron (Obnoxious and Anonymous) is gearing up for another Twin Peaks fan film along with fellow filmmaker Josh Eisenstadt, so that makes TWO new films! Black Rose: A Twin Peaks Fan Film and Teresa with a T are in the works right now; a campaign has already begun that could really benefit from our contributions. If you enjoyed Queen of Hearts: A Twin Peaks Fan Film (I went from full indifference toward Annie Blackburn to crying about her FFS), you will definitely appreciate two more stories about two mysterious Twin Peaks/FWWM ladies as well as crossover events with characters from season 3. Something tells me there may be a visit or two to our favorite north-of-the-border fun time establishment in one or both of these films . . . 

Two films, for the price of one contribution! Contribute here: https://igg.me/at/teresa-rose and stay tuned! Follow Queenofhearts_twinpeaksfanfilm on instagram for updates! 

Rewatching The Sopranos S2 E2 "Do Not Resuscitate"

Family Events: Tony confronts Janice about the for sale sign, later at the hospital Livia accuses Janice of wanting to take her house. After speaking with Meadow ("what is she into?" "NEGATIVITY!") Janice uses a Pavarotti CD to charm Livia. When Janice offers to take Livia home to live, she says she'd rather go back to Green Grove. Janice tries to convince Tony to sign a "do not resuscitate" order; AJ overhears the conversation and innocently admits everything to Livia during a visit.

Livia calls Carmela from the hospital and babbles about nothing; Carmela hangs up on her when she begins to criticize her children but adds first, "THEY ARE ALL UNHAPPY."

Mafia Events: Tony visits Junior in prison; Junior insists that Livia had no part in the assassination attempt and that Tony make peace with her. Junior's guy Bobby Baccalieri meets the crew at Satriale's where Tony explains which of Junior's businesses he'll be allowed to keep. Junior is released from custody on house arrest due to his health issues but once back home falls in the shower. When he refuses an ambulance, Tony picks him up and carries him to the car. 

A group of Black activists protest at a Masserone Brothers Construction site; the owner arranges with Tony to handle the issue. Tony meets with the leader's father, a reverend, and likes him, but still orders his crew to attack the activists. 

In a flashback, Pussy is driven home after a medical procedure by Skip, revealing that Pussy has been working with federal agents since 1998.  

Significant Ideology: Livia throws out many contradictions, switching gears a few times throughout the episode. In what seems to be a one-off conversation with AJ, Livia says, "daughters take better care of their mothers," explaining how Janice comes every day to play pinocle with her but earlier criticized Janice for being unable to stay in New Jersey and for being unable to stand herself. She also introduced the idea that Johnny Soprano might not have been the "saint" she's been praising all this time and after hearing the disturbing news about the DNR, begins mentioning hidden money she has stashed away to both Janice and Carmela while bizarrely mixing up family names and whispering nonsensical chatter. 

The unnamed reverend Tony meets with unfortunately dies; Junior falls and has potentially broken his hip. The older generation is declining, as the reverend stated, but in all of the cases, the sons in this story are (or in Tony's case, were) the ones caring for their elders. Janice is an opportunist, in town only to capitalize on Livia's disability, and this has been observed and commented upon by Tony, Barbara, and even Livia, who may be confused, but who definitely knows her own daughter's cunning. While Tony has refused to make peace with her (as Junior and Janice have both encouraged), he is somehow roped into caring for Junior, the man who arranged to have him killed. While he hasn't explicitly stated that he forgives either of them, his interactions with Junior, first arranging through Bobby to allow him to continue earning and then physically hauling him to the car after his injury suggest that Tony still loves his uncle. The difference with Junior is of course that he has no one else; for the time being, Livia has Janice (and Meadow, who seems sympathetic). 

The insertion of the Pussy-being-an-informant into a crew heavy episode like this one shows the vigorous nature of Tony's position as boss and how the constant chaos allowed for such a problem. When he's not dealing with Junior, he's dealing with Masserone Brothers, when he's not dealing with staging a riot between his crew and the protesters, he's arranging with the reverend's son and hacking up construction deal spoils. When he gets home, Janice grills him about Livia's house and the DNR after he's explicitly told her not to mention their mother. There was no mention of Christopher (although his two finance bros derped their way into the riot) nor of Tony's mental health. Things were just too busy.

Italian Language: disgratziata (Pussy in regard to Livia when Skip says "this fuck tried to suffocate his own mother"): poor, wretched, unfortunate, unlucky