Tuesday, May 26, 2026

Things in Cages

If I had one wish, I would just have reading books and seeing movies be my job. 


Obsession (2025), d./w. Curry Barker 

I liked this, but I feel like I had to enjoy it very carefully. It was impressive, but still caused me to cringe inside forever at some of its messaging, because honestly, a lot of it was difficult to sit through. I'm also suspicious (based on many, many TikTok comment sections) that the film's cautionary pointing out of the relational problems that led to "the obsession" will be lost on most male viewers.

Problem 1: Bear is 100% the villain because he sees Nikki as a thing and allows her to be perpetually harmed. I cannot fathom that the main takeaway from this story could be "WOW, that wish really BACKFIRED!" but yeah, guess what. The horror piece focuses on Nikki and her obsessive outbursts, odd movements, and . . . voice, and those things are scary and jarring, but the bottom line is that Nikki is being coerced, controlled, and manipulated after Bear's wish on the One-Wish-Willow. Is the obsessed Nikki a whole new version of human wrapped in real Nikki's physical packaging with access to her memories, or is she still real Nikki just under the influence of the wish, like a drug that is 95% effective most of the time? It doesn't matter because Bear does not seem to give a fuck either way. He is met with IMMEDIATE evidence that Nikki is altered, moments after the wish is made, and he chooses to actively pursue his fantasy romance with her anyway. He knows just enough surface material about her as a friend, and he knows he is physically attracted to her, but apparently, he knows nothing substantial about who she really is or what matters to her as a person. He wants her, he wants to possess her, and that's enough for him. He ends up keeping her physically confined in his house when her obsessive behaviors get to be too much to handle, just as the real Nikki is locked away in the "cage" of the wish, unable to stop what is happening outside of yelling or shrieking out at random moments of lucidity. The horror here is actually real Nikki's total awareness, just like the guy in the Stephen King autopsy story with the boomslang bite who senses everything going on but is powerless to stop it. 

TW: SA/Coersion/Self-Harm/IPV (This discussion is not an endorsement of any of these elements).

1-800-656-4673: National Sexual Assault Hotline

988: Suicide and Crisis Hotline

1-800-799-7233: National Domestic Violence Hotline

Problem 2: Bear has several outs along the way that he does not take after being given several indicators that A., this is not really Nikki, or B., real Nikki is not consenting to this relationship. These outs would have allowed him to, at minimum, take responsibility for what he imposed on Nikki (and himself), and, at best, would have changed the outcome before other innocent people were violently roped into the mix. The first would be to NOT have sexual relations with her (he does anyway, and yes, that was a rape scene). The second would be to "end" himself after the phone call to customer service spells out that there is no going back from the wish, and suggests this as an option. The last out would be to "end" her when real Nikki begs him to do this just before he leaves to go to the park---leaving no doubt in anyone's mind that real Nikki is aware of what is happening and DOES NOT CONSENT. His entitled bitterness is on full display after she does this, too, as he snarls something back at her like, "Is being with me that bad?" Jesus fucking Christ.

Bear is Guy Woodhouse disguised as a sensitive, thinking guy.

Problem 3: Way to blame the cat for your own negligence, leaving your meds unsecured. She probably couldn't stand you, either.

All that said, the storytelling is solid, the acting is very impressive, and the whole thing works as a scary story. This reminded me very much of "Loved to Death" from Tales From the Crypt, and had me wondering if there might be a similar switcheroo at the end. 






Friday, May 22, 2026

Who keeps coming here?

Having been away for a while (again), I dropped in today to check up on things. The last 6 months of stats seem . . . oddly high. As in, who exactly is finding this blog, and for what reason? Image searches? I would really hate it if it's just a bunch of AI robots. I suppose viewing my nearly 20 years of posts would be a good way to incorporate rants into media writing while increasing the frequency of run-on sentences and poor grammar, if these are the things they're trying to learn. I got Grammarly this year for my dissertation, and I was and am frankly horrified at how upsettingly unprofessional my writing is. It's correcting all my shit even now, IN REAL TIME, constantly marking up everything with red and blue. I've always written my posts here exactly how I think, which does not typically translate into writing one would consider "polished." This has always been more for fun, not for merit. Certainly not for money. No, I do not want to rephrase UPSETTINGLY UNPROFESSIONAL, thanks.


Search and click on the round shoe icon at the bottom to make the heels stomp across the screen


I got the A-List pass again for the summer, and I'm very giddy about all the films I want to see. I did not cry at all of the trailers this time, like last year, but I got very close at The Odyssey and Toy Story 5. Later, during the middle of the feature, I felt it again when Madonna's "Vogue" came on, so my emotion might just have been a reaction to film music all along, not just being upset and dysregulated all the time. To be fair, I AM often upset and dysregulated, but I think that is excusable in this second Trump presidency, 4 years into a doctoral program, and SOBER, for fuck's sake. I actually like that the movies still make me cry. 

The Devil Wears Prada 2, 2026, d. David Frankel, w. Aline Brosh McKenna

Very Short Review 

1. The story was fine, the characters were still engaging and interesting, and everyone looked amazing.

2. I loved seeing all the posh settings of New York City and Milan. Instrumental musical motifs from the first film came up in all the right moments, added with some revisited Madonna and new Lady Gaga. 

3. The theme here seemed to be Is Miranda Good or Bad This Time together with Tech Bros Always Kill Everything. Overall, it seemed more wholesome than the first film, which I kind of enjoyed. 

*The first film is always nostalgic for me in that I associate it with a teeny little Chinese spa (which may have been mafia-owned) in Chongqing, where we went for back and foot massages during our music therapy cohort's summer abroad trip in 2018. It was approximately 100 degrees in July, 11pm at night, and we were waiting around for everyone in the group to finish getting massaged. Someone turned on a TV, and this film was on. I will always think of this film on very hot summer nights or whenever I hear "Suddenly I See" or "City of Blinding Lights"

**At one time, I had an irrational issue with the shrug/cape (shrape?) Andy wears on the last day in Paris in the first film. I don't remember why, but I complained very loudly about it while rewatching with a friend, her daughter, and my daughters. This resulted in the friend and her daughter making one like it out of felt and bringing it to the next gathering for whoever lost our recurring Speed card game to wear, labeled "Shrape of Shame." Luckily, I did not lose and did not have to wear it.





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