Tuesday, June 27, 2023

LOST: It Wasn't Purgatory, Season 3, Episode 2, The Glass Ballerina

On-Island Events: 

Others: Jack is still being held in the underwater cell; Juliet delivers soup to him. Ben is visited by Colleen who reports that Sayid found the decoy village and has a boat. Ben tells her to assemble at team to acquire the boat. Sawyer and Kate are made to dig and haul rocks, supervised by Juliet and Colleen's husband, Danny. Sawyer breaks rank to kiss Kate; later he admits to her his name is James. Ben visits Jack and introduces himself as Benjamin Linus; Jack refuses to shake his hand. In an attempt to prove to Jack that he has the power to send him home, Ben shows him a video of the Red Sox winning the world series of 2004.

Survivors: Jin, Sun, and Sayid are on Desmond's boat as they were at the end of the second season; Jin does not want to continue searching for Jack but Sun assures Sayid she knows enough about sailing to help him keep going. Sayid builds a large fire, which he claims is to signal Jack, but Sun suspects otherwise. Soon Jin realizes that Sun has conspired with Sayid to trap the others and that he needs to defend them when they show up. As Sayid and Jin wait on the shore, Sun waits on the boat where she encounters Colleen. Sun shoots Colleen in defense and the others on deck return fire; Sun manages to escape but the others steal Desmond's boat. 

Flashbacks: Young Sun knocks a glass ballerina onto the floor and blames the family maid for it, even knowing this will cause her father to fire the woman. 

Sun is in bed with Jae, the man she was previously matched with (. . . And Found) and who became her English tutor (The Whole Truth). He presents her with a pearl necklace and implores her to come with him to America. Suddenly, Sun's father bursts into the room, seeing them. Later Jin comes home and blames Sun for the terrible things her father makes him do. He storms off to "deliver a message," presumably to one of Mr. Paik's adversaries but it is Jae. Jin is unable to kill him but demands he leave the country; Jae hurls himself off the building and lands on Jin's car.

Greater Meaning: As this episode focuses on Sun and the various ways she has kept the truth hidden in her life, we learn that she is actually quite skilled in looking after her own self-interests. She feared her father enough to allow a maid's dismissal over the glass ballerina lie; she feared both her father and Jin's reaction to the discovery of her affair with Jae yet went ahead with it anyway. Jae ends up being sacrificed just as the maid was. Sun does not suffer any personal consequences and is free to live her unhappy life but as long as she remains in Korea, she will still be under her father's thumb. The fact that she chooses not to save herself but supports Sayid in continuing the hunt for Sawyer, Kate, and Jack suggests that she sees them as more than just co-survivors, she cares enough to risk her life and safety to help them. The stand-off with Colleen is another example of how Sun is more capable than most people have credited; being away from her father has clearly produced some positive changes in her life.

This is a small part of the episode, taking up only the last few minutes, but Ben's interest in Jack is specific and peculiar. All this effort to win Jack's trust is focused on letting him go home, but why? Jack will likely not leave without his friends, which Ben has doing manual labor with rocks, and Ben's discussion with Juliet and Colleen suggests that they do not want to be found by any of the other survivors. So why exactly are they keeping Jack if they have the ability to send him home? Similarly, why did Michael and Walt have to fight so hard to leave? What are the others even doing?

Further Questions: 

1. What is the beef between Juliet and Colleen? 

2. What is the purpose of "the decoy village?" 

3. Is it possible that Jae impregnated Sun before the crash?

4. Will Ben let Jack off the island? 

5. Is Ben obsessed with Juliet?

6. Will Sun and Jin's marriage survive the island?

Monday, June 26, 2023

Rewatching the Sopranos S1 E13 "I Dream of Jeanne Cusamano"

I am waiting (38 minutes so far) on the phone, on hold with SSA and decided to do what I always do when I'm bored, which is to read my old blogs.  I haven't written anything recently because I've been drowning in school stuff, and when I'm not doing that I'm catching up on everyone else's needs that have gone neglected while I was doing school stuff. Summer has been slightly less demanding so I can read and watch tv again. 

I spent 56 minutes on hold waiting to talk to these idiots for someone to tell me I can't make an appointment for what I need and have to WALK IN. 

FML.

Family Events: Livia shows up at Tony's house not oriented in reality and yells at Meadow and a police officer. After she is transferred to the nursing unit at Green Grove for Alzheimer's care, she upsets visitor Artie Bucco by suggesting Tony was the one who set fire to the old Vesuvio. Artie shows up at Satriale's and threatens Tony with a rifle. Tony manages to talk him down; Artie responds by bashing his rifle apart and driving off.

Tony goes to confront Livia at Green Grove where he is informed she has had a stroke. As Livia is wheeled away in a gurney she smiles as Tony threatens her. Tony takes the family to Vesuvio in the middle of a terrible storm and toasts them, telling them to remember the little moments that were good. 

Mafia Events: Junior gives permission for Tony's crew to whack Jimmy; Christopher lures Jimmy to a hotel where Silvio kills him. His body is later recovered outside a dumpster with a rat stuffed in his mouth. Tony later meets with the feds where they play him recordings of Livia and Junior discussing Livia's anger at being forced to live at Green Grove, Tony's depression and psychiatric treatment, and Tony's crew using Green Grove for cover. Tony informs his crew that Junior and Mikey were the ones who arranged to have him killed. Tony kills Junior's assassin; Silvio helps him take care of the body. Paulie and Christopher come upon Mikey during his morning run, chase him through the forest, and kill him. Junior, Larry-Boy Barise, Joe Sasso, and 13 others get arrested for federal racketeering. Under examination with a federal agent, Junior refuses to cut a deal to save himself, scoffing at the idea that Tony is the actual boss of the family. 

Tony comes clean to his crew about seeing a psychiatrist, Silvio and Paulie are supportive, Christopher appears confused and upset about it. Later Paulie admits to Silvio that he can't get past Tony choosing a woman psychiatrist.

Mental Health Events: Melfi challenges Tony's reluctance to consider Livia's responsibility for the attack on his life, referencing the sudden memory loss and his subconscious creation of Isabella. Tony is incredulous."What are you saying, that my own mother tried to have me whacked for putting her in a nursing home?" Melfi explains that usually patients are encouraged to make their own breakthroughs in therapy, but that she is willing to help him through to some conclusions because his life is in danger. As Tony becomes increasingly physically agitated, Melfi goes on to suggest that Livia may have borderline personality disorder, reading diagnostic criteria from the DSM 4. Tony reacts by charging Melfi, flipping the glass top off the coffee table, shattering it, and threatening her. He shows up to his next session, admits Melfi was right about his mother, and tells her she needs to leave town. 

Religious Events:

Father Phil happens upon Carmela and Rosalie Aprile at Vesuvio; Carmela is disturbed to discover that Rosalie has given him Jackie's expensive watch. Later Carmela shows up at church with dinner for Father Phil and sees him eating with Rosalie so she dumps her own pasta into the garbage. Carmela is bothered by Father Phil's familiarity in showing up at her home and using her video store account, eventually confronting him for his hypocrisy when he questions Tony's faith and actions. Carmela suggests that instead of criticizing Tony, he look at his own manipulation. 

Father Phil also seems to be making a play to encourage Artie Bucco to report Tony's possible involvement with the restaurant fire and appears to be disappointed when Artie declines to take his advice. 

Significant Ideology

They took a little bit of a liberty in stretching out the borderline personality disorder (BPD) diagnostic criteria, probably to fit the version of Livia they'd already spent so much time laying out, but saying flat out that sufferers of BPD aren't able to form interpersonal relationships at all and that their internal phobias are all that matter to them is very negative and in many cases, off the mark. For Livia, (who Melfi is not treating so she has really no business diagnosing), these descriptions sound accurate, at least at first, but to qualify for BPD one needs at least five out of nine criteria, and Livia has formed and continues to form interpersonal relationships outside her immediate family, and her internal phobias (driving, being abandoned) aren't really phobias but relevant concerns as she recently had a car accident, injuring a friend, and was literally placed in a nursing home! If anything, Livia might qualify for histrionic personality disorder, dependent personality disorder, or maybe even an unspecified one before borderline, but whatever. She might not even be out of the ballpark for antisocial personality disorder, considering how easily she arranged her own son's assassination and her strange smile at Tony after her "stroke," but that's a kind of a reach. 

Whatever diagnosis ends up fitting best, Livia's mental health continues to be an important factor in this story. That said, any practitioner should have been able to clearly read Tony's escalating body language and anxiety cues as these descriptions were applied to Livia, thus avoiding the table flip and physical threat. Tony's inability to consider this information cognitively (your mother arranged to have you killed and is now faking dementia to get out of it) and uncontrolled physical anger suggests that despite several months of therapy, he cannot process unpleasant information through his executive functioning, only by reacting with his body. Coupling this (Tony still has so much work to do) with the scene of him in Melfi's abandoned office after she has left is a very serious situation. He is literally in the dark without her.

Some of the most emotional moments in this episode come in reactions: 

Agent Harris's reaction to his boss dangling the tape of Livia and Junior in front of Tony---he knows what's on the recordings and he knows what hearing them will do to Tony . . . (suggesting Harris, while still committed to doing his job as a federal agent, has grown to like Tony, or at the least, empathizes with him learning his mother and uncle have conspired against him).


Tony's reaction to hearing what he hears on the tape, hurt, anger, then immediate regrouped control as he nods to the fed that he wants to hear more . . .  He just finished losing control with Melfi and perhaps felt bad about it afterward but manages to keep his cool with the feds. In a way, Melfi's warning prepared Tony. Having that information prompt such a violent response with her proves that it bothered him, likely because he found it plausible, painful as it is. Melfi being a woman might be a factor; her proximity to Carmela and Livia or women in general would have been accepted as trustworthy---who knows an Italian woman better than another Italian woman?---but also perhaps emasculating. Tony can't escape the news Melfi gives him by any sort of strategic business or mafia means so he rages, physically and threatens her; when the feds confirm Melfi's theory, he has no choice but to play it cool and plan his retaliation, faced with the realization that Melfi saw it coming and was taking a risk in telling him the truth. His showing up at her office afterward suggests he might be looking for absolution.

Carmela's response to hearing the news about Livia: "I could kill her . . . with THESE HANDS!" and later, "This wasn't you. It was HER." Yet putting on a completely believable pleasant act when Livia and Junior come for dinner. Tony may be the one in therapy but Carmela seems to be learning a lot about boundaries (Father Phil), emotional regulation, and strategizing. 

When Tony explains to Carmela that cunnilingus and psychiatry brought them to this, he connected the issues with Junior and the mafia at large to what Silvio earlier said to the crew about needing therapy. "It'd be better to admit to ourselves that these are painful, stressful times." He looks around to see no one willing to agree with him and then says, "But it'll never fucking happen." These men are in a business that requires them to commit many unpleasant, upsetting acts but does not allow them to have or express feelings about their actions. Tony's case is unique among the crew: he seems to have made peace with the lifestyle but does not understand why his mother treats him as she does. 


Wednesday, July 27, 2022

Rewatching the Sopranos S1 E12, Isabella

Family Events: Tony is both worried and depressed about Pussy's apparent disappearance but brightens when he meets Cusamano's cousin Isabella, a dental student staying next door. After his therapy session he runs into Isabella and takes her to lunch. While chatting, Tony has a vision of her nursing an infant named Antonio. Livia comes to dinner that evening and scoffs at the idea that Tony is depressed but becomes upset when Tony refuses to stay for her insults. The next day Livia attends a film with Junior and insists what they've planned is justified given Tony's disturbing condition. Tony is attacked outside his vehicle, shot, and then crashes into a parked car. In the hospital, Carmela confronts Tony about the danger he's in but he refuses to acknowledge it. Livia and Junior show up to visit Tony after the shooting and Livia makes a comment suggesting she doesn't recognize Meadow. Junior confronts Livia about the botched hit and her sudden memory loss but she insists she doesn't understand.

Tony sees Cusamano and asks after Isabella; Dr. Cusamano knows nothing of her whatsoever. 

Mafia Events: At a funeral, Jimmy Altieri openly asks Junior about the hit on Brenden
Filone; Mikey informs Junior that the hit on Tony is happening the next day. Christopher updates Tony on what's happening in the crew and is concerned about his depression so he follows him out. Just as the hit is about to go down, Christopher blocks the street and thwarts the attempt. 

Mental Health Events: Melfi explains that the lithium she's prescribed is meant to kick start his system, but Tony says he feels dead. "I don't even know why I come here." Melfi suggests Tony consider a residential treatment program but Tony says he'd rather kill himself. Carmela brings Tony to Melfi's car for an impromptu therapy meeting where they discuss whose knowledge of Tony's treatment might be implicated in motivating the attempt on his life. Tony tears up when he tells Melfi about the vision he had of Isabella nursing the baby. Melfi explains this fantasy is about him, desiring the nurturing the baby was getting. Later when the lithium is revealed to be the source of Tony's fantasy of Isabella, Melfi draws further conclusions about the meaning of the hallucination.

Significant Ideology: Tony wants a nurturing mother so badly he hallucinated one. Funny how the momentary "escape" from his crippling depression was at the hands of just what he needs. The question of what Livia saw as the end game to this assassination still remains to be seen: either through her own skill or the help of the crew loyal to Tony Carmela would have eventually figured out Junior and Livia's involvement, did Livia think this would get her house back? Clearly Green Grove would have been out in the absence of Tony, it may have actually worked, if Carmela simply washed her hands of the entire business and someone (Junior) intervened to stop the sale of the house. However, Livia instead turns on Junior and plays up dementia instead, suggesting she is afraid of Tony's retaliation, knowing he'd likely figure out her role. 

On some level, Tony has known his mother was troubled: ineffective as a parent and unable to provide love and nurturing, and victim to depression, anxiety, and possibly one of three personality disorders. Did he consider her to be capable of arranging to have him killed? From the beginning of the season he's tried many times to prove his love to Livia (with the exception of almond biscotti bringing a somewhat positive reaction) but fails to elicit anything close to love or even kindness back from her. What will he do about this?

Monday, May 30, 2022

LOST: It Wasn't Purgatory, Season 3, Episode 1, A Tale of Two Cities

On-Island Events: 

Others: A blond woman (Juliet) looks into the mirror and listens to Petula Clark's "Downtown," and cries; moments later during her book club group the house begins to shake. As she and her guests hurry outside they encounter "Henry Gale," dressed as they are in clean, contemporary clothing. They look up at the sky to see Oceanic 815 fly over and then break in two pieces. Goodwin and Ethan come running and are instructed to hurry to the respective landing places. After the two men depart, "Henry" looks down at Juliet's book and laments that he's out of the book club, ID-ing him as "Ben," the man another book clubber earlier stated who wouldn't read Juliet's pick, Carrie, in the bathroom. 

Survivors: Jack, Kate, and Sawyer awaken in three different confined areas: Jack a dark glass enclosure, Kate a locker room, and Sawyer an outdoor cage across from a teenage boy. In his cage, Sawyer sees a red button and pushes it twice, but when he ignores the boy's advice not to push it a third time, gets electrocuted. The boy escapes from his cage and unlocks Sawyer's to let him out but Juliet shocks Sawyer. Later, Sawyer discovers a certain combination of button-pushing earns him a fish biscuit from a feeding slot in the cage. 

Kate meets Ben, who provides a fancy breakfast on the beach and tells her the next two weeks will be very unpleasant. Later, Kate is returned to the cage adjacent to Sawyer's.

Jack meets Juliet as he's trying to dismantle the chains in his room; Jack thinks he hears Christian's voice through an intercom but Juliet insists it hasn't worked in years. Jack tells Juliet a series of lies about who he is and what he does but is honest about Christian's death. As Juliet delivers a tray of lunch for him, Jack charges her and insists she let him go. He ends up opening a door that floods the area. Juliet explains to Jack she is not part of the Dharma Initiative, but that he is being held in one of their stations (the Hydra), underwater. She reads to him from a file of information and knows everything about Jack. After Jack asks after his ex-wife, Sarah, and is told she is happy, Jack allows Juliet to bring him dinner. 

Flashbacks: Jack watches Sarah outside a school building conversing excitedly with another man, in the next scene they are meeting at a divorce hearing. Jack confronts Christian after he finds out his number is in Sarah's phone and later confronts him at an AA meeting. Jack is arrested; Sarah pays his bail after Christian, no longer sober, told her about the confrontation. Jack sees Sarah's new love interest and cries about what he has done to Christian.

Greater Meaning: Juliet is a new character, one that apparently works with Ben-formerly-Henry, does his bidding ("Good job, Juliet,") but selected a book Ben decidedly doesn't like for book club and is allowed to fend for herself when Jack opens the flood door. There seems to be a bit drama in this relationship, one wonders how and why. 

Kate is the only survivor given a sit-down with Ben; her word choices of Sawyer first, Jack second are noticed twice. Chances are good she's more worried about Sawyer's fate as he had been seriously injured and just recently recovered, but possibly for deeper reasons. She admitted to Sawyer, unconscious, that she associates her feelings for him with her feelings for Wayne, her abusive father, and despite also having feelings for Jack, there seems to be a slight inferiority complex between them ("I'm sorry I'm not as good as you!") Sawyer and Kate are being held prisoner very close to each other; Jack is underground. Whatever Ben has planned, it seems Kate and Sawyer for whatever reason, need to be separated from Jack. 

The title of the episode, "A Tale of Two Cities," might refer to Jack being separated from the other two, or could also be a reference to Ben's people, who live in a functioning, upscale community on the island where the Oceanic 815 survivors have very different experiences and quality of life. 

Further Questions: 

1. Who is Ben? 

2. Why is there drama between Ben and Juliet? 

3. What will happen to Jack?

4. Is Hugo okay on his own? 

5. Will Sawyer and Kate escape? 

Thursday, May 26, 2022

Rewatching the Sopranos S1 E11 "Nobody Knows Anything"

Family Events: Livia refuses to attend Carmela's open house party; Carmela comes to Green Grove and admonishes her for manipulating Tony. Livia refuses to acknowledge any wrongdoing and instead complains about being abandoned. When Tony asks Bonnie to inform Livia that her house has been sold Livia retaliates by suggesting to Junior that Tony has meetings at Green Grove to talk about him with his crew, effectively setting in motion the plot to have Tony killed. 

Mafia Events: Pussy suffers an injury to his back and then gets arrested with Jimmie after fleeing an FBI bust at Jimmie's club. Junior criticizes Pussy for having run from the feds and for carrying too much cash. Makazian informs Tony that Pussy is "wired for sound" after being busted dealing heroin; Tony reacts poorly to this news but begins to entertain suspicions. Tony visits Pussy and listens to his concerns but immediately informs Paulie about the wiretap, saying he's "90% sure." Paulie offers to take care of Pussy but Tony insists that he actually see the wire before acting. Paulie surprises Pussy with a trip to the spa but Pussy refuses to get undressed and storms off. Silvio discovers that Makazian owes Pussy upwards of thirty thousand dollars. In the middle of afternoon traffic, Makazian pulls over after presumably being fired from his job as a detective and jumps off a bridge, killing himself. Jimmie gets released from prison and insists on getting Tony to talk about the Columbian money deal; Tony realizes Jimmie is the one who is working with the feds. 

Mental Health Events: Tony admits he's worried about Pussy; Melfi tries to refocus Tony's attention
on his own therapy but eventually suggests too much responsibility and secrets could be factors in someone's chronic back pain. In a passing comment to Bonnie, Tony mentions that Livia has always been "depressed." 

Significant Ideology: The strength of men is questioned: Jimmie and Pussy have charges serious enough to scare them into cooperating with FBI as neither of them feel strong enough to do jail or have the financial ability to stop earning. Makazian is not strong enough to handle his suspension after the raid on Debbie's place, or he's overcome by his sizeable gambling debt. Tony is the only one to put in motion what has to be done (re: Pussy) but he's very conflicted about doing it. Livia casually manipulates Junior into killing Tony with absolutely no remorse. Carmela understands both her husband and her mother in law and is the only one strong enough to confront Livia. 

The consequences that threaten the men are immediate and physical, jail or death; the consequences of Livia's decisions change in this episode from chronic emotional manipulation to also immediate and physical. She is willing to have Tony killed for the simple act of selling her home, and not only that, this is her second attempt. Informing Junior about the psychiatry introduced the idea of killing Tony but did not bring about immediate action. Livia may have been content to just revert to her usual emotional manipulation (as she has seemingly come to tolerate living at Green Grove) as evidenced by her refusal to attend Carmela's open house, but the news of her house being sold was enough to push her over the edge. This time she makes it personal to Junior ("maybe it was you that they were talking about!") and she knows exactly what she's doing.

Tuesday, May 24, 2022

LOST: It Wasn't Purgatory, Thoughts on Season 2

Did everyone just forget about being rescued? 

Bernard didn't of course, he tried to build an SOS signal out of rock but was quickly redirected by Rose's reveal in regard to the island's influence on her health. Claire and Aaron seemed to be nicely settled on the beach with a number of fellow survivors to watch out for them; Sun and Jin are preparing for the challenges of parenthood; Eko started to build a church! Jack and Locke, as always, are in different places, but the events of the second season reveal just how wrong they've both been, all along. 

Jack versus Locke versus The Island versus The Others

As Jack is busy doctoring and leading, making decisions for the group, he doesn't often get the chance to actually see the island for what it is (which can't really be defined, anyway), and this is not the case with Locke. Because he's been personally affected in a way that leaves no room for interpretation --- before island: paralyzed, after island: able to walk --- Locke is prepared for the island's mysterious abilities, and seeks them out, even. Of course Locke has never had any interest in being rescued, like Rose, he can appreciate the gift the island has bestowed upon him, but the island doesn't just let him off easy simply because he believes in it, either. Locke is put to the test in this season, being made to earn his gift, earn his knowledge, and his faith in the island. He initially believes that pushing the button inside the hatch was important, but after finding the underground question mark hatch (Pearl Station) he questions everything he's done since landing on the island. 

Locke was invested in the Henry Gale situation, first by colluding with Sayid to interrogate him, then after the lockdown when Henry helped him, and again when Henry claimed the reason he got captured was that he was coming for Locke, "one of the good ones." Whatever Henry's intentions, he seems to be just as invested in Locke, if only for reasons of manipulation or playing him against Jack. After Sayid, Charlie, and Ana Lucia discover the truth about the balloon, it's clear that Henry has been lying about everything, which is further confirmed when Michael kills Ana Lucia and Libby in order to free him. After Jack, Sawyer, Kate, and Hugo are kidnapped, Henry is in charge of it.

Tail Section, Henry's Pretenders, The DI

Early in the season after the thwarted raft launch, Jin meets who he believes to be the others but who are really just survivors from the tail section. Henry's others are revealed to be the group who abducted Claire to the medical station (where Kate found the fake beard and other costumes) and later took Walt off the raft. Why did they take Walt in the first place, and why did they put Jack, Kate, Sawyer, and Hugo on the list to be taken only to release Hugo from the dock? After Michael asks who they are, Henry replies that they are the "good guys," but Henry's manipulation of Locke, physical assault on Ana Lucia, abduction of children and pack of lies in general seem to indicate the opposite. 

The Dharma Initiative is yet another division of "others," and though Desmond was trained by Inman and not a member himself, he and the orientation videos are the only link we have to this group. The completeness of the Swan Station (kitchen, bathroom, exercise equipment, and food stores) seems an amazing bit of good fortune to just be existing on its own in the middle of the jungle, especially considering the style of the others' clothing and the low quality of the huts where Walt was kept. Henry didn't seem ravenously hungry when they brought him to the hatch and his clothing was traditional for a middle-aged man, confirming as Kate suggested that they were "acting." Why are they taking such trouble to convince the survivors that they live so simply? The discovery of the tail-section at the Arrow station, Claire's stay at the medical station, and the strangeness of Pearl station (notebooks that go no where and a screen showing the man with the eye patch) imply a strong presence throughout the island. 

Magic?

Shannon saw Walt twice after the raft departed; after the others took him, Ms. Klugh asked Michael if Walt had ever appeared somewhere he wasn't supposed to be. Was this phenomenon the island's work or Walt's? During the first season, John Locke took a special interest in Walt, and Michael's relationship with his son though strained at first, became more stable with Locke's help. Brian, Walt's stepfather, claimed there was something "different" about him, but what? If there has always been this special element to Walt, the island seems to have intensified it. It makes sense to assume that the others take all children that come to the island (Rousseau's daughter Alex, Emma and Zach from the tail section, Aaron, in attempting to induce his birth, and now Walt) but did they know about Walt's specialness or was it discovered during the tests they made him do? As far as we know, Walt is the only child that has this magical quality about him. 


Live Together, Die Alone, part 2

Live Together, Die Alone, part 1

Three Minutes

?

Two for the Road

S.O.S.

Dave

Lockdown

The Whole Truth

Maternity Leave

One of Them

The Long Con

Fire + Water

The Hunting Party

The Twenty-Third Psalm

What Kate Did

Collision

The Other 48 Days

Abandoned

. . . and Found

Everybody Hates Hugo

Orientation

Adrift 

Man of Science, Man of Faith 

Tuesday, August 31, 2021

Rewatching The Sopranos S1 E10 "A Hit is a Hit"


Family Events
: After gifting Dr. Cusamano a box of illegal Cuban cigars to thank him for his referral to Melfi, Tony attempts to branch out and socialize with some of the wealthy neighborhood families (who he coins, "the mayonnaises up the street"). Carmela worries about money. After Meadow eavesdrops on Carmela purchasing stocks, Carmela suggests that women should maintain individuality. After Tony realizes that Cusamano and his wealthy friends are using him as a token criminal association, Tony begins playing up fictional performances to mess with them. 

Mafia Events: Pussy, Chris, and Paulie kill a young drug dealer in New York and bring home tons of his cash, which Tony wants to invest in stocks, legally. After Chris makes a racist scene in a restaurant, he and Adriana get invited to a party with rapper Massive Genius, where he explains he wants royalties from Hesh. Christopher arranges a meeting with Hesh; Adriana toys with the idea of becoming a music manager and introduces Massive to some musician friends. Hesh refuses to consider paying anything. After several struggles, Adriana's new band Visiting Day records a demo for Massive G, which he likes. Suspecting Massive has his eye on Adriana, Chris takes the demo to Hesh, who says the music is terrible. 

Mental Health Events: Melfi has dinner with the Cusamanos and a few others and becomes uncomfortable when the group begins to discuss the Mafia, going as far as to defend Carmela's Murano glass after Jean dismisses it. Later in the bathroom, Melfi looks out the window toward the Soprano house and hears a loud groan. In therapy, Tony admits he's bored by his neighbors, but after golfing with them realizes they made him into a spectacle. Tony shares a story about Jimmy from the old neighborhood, a kid with a cleft palate who was bullied by. the crew, and admits to Melfi that Cusamano and his group made him feel like Jimmy.

Significant Ideology: The importance of each group's cultural identity can be considered both superficially and in greater depth. On the surface, the episode deals with three cultures at odds with each other: Hesh, who is Jewish and is connected to both the early music industry and the Mafia, refuses to pay royalties he owes; Massive Genius, who is African American and a successful producer himself, is open to business with Adriana but seeks justice from Hesh over exploited music vocals; Christopher and Tony are proximally involved through their protection of Adriana and Hesh. 

There are many cultural stereotypes tossed around by each group, Christopher and Hesh use racist language toward Massive Genius, Massive Genius suggests certain exploitative and legally related behaviors are common to Jewish people, and the upper class, professional Italians look down on the Sopranos and anyone in organized crime. But Cusamano's comment about the similarities between the mob and legitimate businessmen is important, not because they are the same in the way that he thinks, but because the white American businessman has largely been able to achieve without "whacking someone." Surely crimes are committed in business, but they're not judged in the way the Mafia's, gangster rap culture, or to lesser extent, Hesh's crimes are judged. 

When Tony discusses his "Medigan" neighbors with Melfi, she tries to clarify, "you don't consider yourself white?" Tony says he does, but that he's not white the way Cusamano is white. It seems like this episode is about ethnicity, and it is, but it's about economic class even more. Hesh had to exploit someone else's talent passed off as his own in order to succeed in the music business; Tony, born into his father's Mafia wanted a good life which was only attainable through criminal means, and Massive Genius used his violent experiences to create art, which then became marketable. All three cultures were denied access to the legitimate American dream, because of their social and economic classes. Adriana is dangled before us as someone who has the potential to successfully cross cultures in a legitimate way, but in the end Christopher and Massive Genius reduce her to a sexual thing, ignoring her enthusiasm and ambition to succeed in the music business, which is easily and commonly done to women in lower economic classes. 

Tony's financial worth and beautiful house may rival Cusamano's, but despite being literal next-door neighbors, he is still kept out of the upper class Italians' spaces (Ivy League, stock trading, the golf club). This is likely going to become an issue for the Soprano children, especially Meadow.

Italian Language: 

Paisan =   ("Talk about Paisan Pride, go Jovi! ") fellow Italian American

Medigan = American

Salcicc' = Italian sausage made of fresh pork and scraps of pancetta and pork neck

Que coso, ragazzo? = what's the thing, boy? (Adriana asks Chris when he's being distant).

Tony wraps a secret package for Cusamano with Carmela's help: 


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