Thursday, September 8, 2011

Rescue Me; Ashes

So it ended, well, I think. A few thoughts:


1. Unless it's about an island that made people flash sideways for an entire season, I don't like being tricked on a wide scale, and the previews and Tommy's dream were absolute trickery. The shot of Janet sobbing against the wall wasn't even used during the episode, and this irked me a little. I mean, by all means, pull a Dallas Bobby-in-the-shower stunt, I'm all for it, but don't intentionally lead us all down the wrong path just for the sake of ratings. Some suit thought that up, I'm confident of that.


2. That being said; had the end actually been what began in the first part of the episode, I would have absolutely and horribly lost my head over it, and probably would still be crying right now. The similarities to (Tommy's experience of) 9-11 are there, although on much smaller a scale: the fire itself was due to sabotage--someone committed arson by lighting the place up; the crew could have let the building blow, saving themselves, but went further in after civilians; and if I remember correctly, Jimmy Keefe was trapped in an elevator also (during the 9-11 terrorist attacks), speaking to the rest of the crew via phone or walkie from inside the tower just as Lou spoke to Needles.


3. Those opening shots---snare, Lou limps and attempts to identify the bodies of his crew, the five covered gurneys then coffins, the funeral---some things are just awful, and thinking of how this has really happened and does happen is powerfully sobering. Lou's speech:

"These men, these five extraordinary human beings will forever live in my heart and in the memory of all who knew them, and in the public records of this great city as heroes, the bravest of the brave. I shed no tears. I cry out, not in agony. I beseech the sky not in anger, but with pride, in a voice that is strong and clear. I am a better man and we are all better people for having known them. Good night my dear friends, my five unforgettable brothers, I shall see you on the other side."

4. So as it turns out, Tommy and the guys made it out but Lou did not. The aftermath of the explosion, where Tommy discovers Lou's fate and then swiftly covers him with his own coat (too late) in an attempt to spare the rest of the crew the pain of seeing him . . . nearly too much. Lou was the one who stood in front of the door just outside the propane tanks, remember, telling Tommy and the guys, "Go ahead, we'll be fine. Trust me."

5. "If it isn't the ghosts of Christmas Stupid," (Franco to Mike and Garrity).

6. Pudding on Lou's read-only-after-I'm-gone note to Tommy. LABELED!

7. Tommy does not retire; the group stays together with Franco as the new Lou. Tommy belittles another group of probies; as he gets into his truck to leave, Lou is predictably riding shotgun. Tommy's face has a lot more lines in it, he's got two more sons, and is still riding with the boys.

Fucking A. (bravo).

One last note: I was mostly annoyed by the stupid BMW commercials throughout the whole thing since I don't like their stupid asshole company, but the looks back at the various firefighters were cool. ("Promise me you won't hit me, okay? Now, who is Steve McQueen again?"---Garrity; LARGE SLAP by Lou). 

I'm gonna miss them.


 

Monday, September 5, 2011

A clip

American Movie.

Saturday, September 3, 2011

Rescue Me Finale: Where My Boys At?

Big buildings = Big problems.
EEEEEEEEE! I finally got Matt to dump everything important onto his new computer (in case I ruin this one, which is a distinct possibility since all the technical shit hates me around here) so you know the first substantial thing I'm gonna write is about Tommy and the boys, DID ANYONE ELSE SEE THAT SHIT GO DOWN ON WEDNESDAY?!?!?!

SPOILERS ** SPOILERS ** SPOILERS

I was clenching and tensing the entire time that fire began. Horribly. I could barely handle it because I knew it was going to be major and the show is ending and they were all just mostly happy together at Colleen and Sean's wedding . . . you knew that couldn't last. The looks of realization on Garrity and Mike's faces when they hear the walkie . . . "there's no means of egress, repeat, 62 has no means of egress . . . " Black Sean stops CPR momentarily to process what's happening, and Franco admonishes him, "get back to work, Sean,  come on, asshole, WE DON'T QUIT!" Jesus, I'm tearing up just thinking about it.

I do find the fact that the elevator would only take Tommy (and the guys who followed him) up significant. Redemption perhaps? Christ. See you next Wednesday with a box of Kleenex. I'm not good at funerals.

Tuesday, August 16, 2011

I'm still alive. . . just without a computer.

Thursday, August 4, 2011

Thursday Treats

There's a new Spartacus trailer out, so I've been told. . . my hopes are that somehow, Gannicus might find his way back to the Ludus, even if Batiatus has fallen.

In the meantime:











Tuesday, August 2, 2011

Lovely, Still.

This was a recommendation from Matt's cousin Keith; it was a very good one.

Lovely, Still. 2008. Written and directed by Nik Fackler.
starring: Martin Landau, Ellen Burstyn.


"A holiday fable that tells the story of an elderly man discovering love for the first time." (imdb).

This is one that I just can't talk to death; it's best if you just dive in, yourself. I will say that I really liked the lighting (it happens over Christmas) and a lot of the color choices. Acting is perfect; Burstyn and Landau really nailed it. Fackler was pretty young when he did this, but it didn't feel like a young director's film. You should see this.

Monday, August 1, 2011

Sookie. Walter White. Quality.

I never thought I'd start favoring television shows over film but clearly it's happening.

This is what I'm talking about . . .




True Blood: I Wish I Was The Moon.








1. Woodland sex-capades under a full moon; Sookie finally hits it. Nicely done. 

2. Pam, to Eric. "You are a Viking Vampire GOD! You bow to NO ONE!"

3. Sam's brother is gross; kill that story line, now.

4. Arlene, GET RID OF THAT DOLL!

5. This isn't nice (to Hoyt), but I for one, really want Jason to hook up with Jessica. You know they both want to.

6. Andy Bellefleur getting hot over the blond witch was kind of sweet. Dude definitely needs to get laid.

7. I don't really enjoy the witches, as I've said before, but girl deserves her revenge on the vampire that raped her. Just leave Eric and Pam out of it, yeah?

Lab Notes, Hank! LAB NOTES!

Breaking Bad: Open House.

1. Everyone is in turmoil, granted, but I *hate* seeing Hank so unhappy. It's making me really sad.

2. There was a really beautiful production sequence that I loved, just after the real estate agent noticed that a spoon was missing from the framed collection on the wall (which Marie stole). It starts with a sort of low, pulsing bass melody and just kind of goes on from there as they cut to the next scene, which is Jess Pinkman looping around the go-cart track, clearly an emotional wreck. Next he goes home and finds people screwing in his living room, spray painting the walls, and generally tweaking out. He walks in, looks around, and takes a seat right on the couch. It's not happy by any stretch, but the way his pain is portrayed is genius.

This show is what little shows want to be when they grow up (around here we call it "quality.")
HOME