Showing posts with label Paths of Glory. Show all posts
Showing posts with label Paths of Glory. Show all posts

Saturday, December 10, 2011

Tales from the Crypt: Yellow

New favorite episode, ya'll. When I heard what it was about (thanks, Donald), I knew I would like it, but I didn't think I'd love it. I did, a lot; so will anyone who enjoyed Paths of Glory.

Yellow. Directed by Robert Zemeckis, written by Gilbert Adler, A L Katz, Jim Thomas, and John Thomas (screenplay). Starring: Kirk Douglas, Dan Aykroyd, Eric Douglas.

So what they did, basically, was to take the most unappealing character from Paths of Glory (lieutenant Roget, the yellow drunk that gets his men either killed, or court-martialed, and then executed) and make him the main character here as the yellow (read: cowardly) son of the general, who was probably patterned after the awful Mireau from the film. Eric Douglas plays the son; Kirk Douglas plays the father/general.

I can't decide if we (the audience) are meant to have sympathy for the son, Martin, because it's hard to. No Man Left Behind? Not in this dude's case, he's pretty much all for himself, repeatedly. And each time you might start to feel a tiny bit of compassion for him, he just does something else selfish and you're back on the General's side again. Which becomes weird when you realize what he ends up having in store for his own son's punishment (after the court martial) . . . saw that coming a mile away, but it was so gloriously fitting, not only for the Tales From the Crypt Series but for the very kind of portrayal the general was given, the character/motivation taken from General Mireau from the film and the show's homage to it (and maybe to a lesser degree, the implications of the dynasty of the Douglas Family)---there was only one way to end this. Which sorry to sound insensitive, was genius.

When you think about it, these shows all sort of deal with what happens in varying situations of selfishness---gold-digging, infidelity, cowardice, etc.; I think the message really is DON'T DO THAT.
This episode was done brilliantly and not without a little light humor: e.g., Sgt Ripper (!)---Lance Henriksen, (Bishop from Alien) repeatedly seeks the lieutenant's whereabouts from unfortunately expired soldiers, saying "damn," each time. And huge, HUGE ups for that opening scene, not only the battle action but I can't help thinking there's little nod to All Quiet on the Western Front, with a yellow flower instead of a butterfly? Nice.

ALL QUIET ON THE WESTERN FRONT (clip)


One of my favorite badass scenes of all time, Colonel Dax in PATHS OF GLORY (clip)


YELLOW (clip)

Friday, November 12, 2010

Quite Possibly The Best Film Ever Made

Paths of Glory, bitches! 1957, directed by a 29-year-old Stanley Kubrick!

If not the best film ever made, then definitely the best war film. I did a paper about this and La Grande Illusion, both World War I films, the title was, "No Band of Brothers in this Gentlemen's War." Everyone should see these films because I dare say that they're only secondarily about war, and primarily about humanity. That said, there is *no better sequence anywhere* than the dolly of Colonel Dax (Kirk Douglas) walking down those trenches as the rounds are exploding, smoke is billowing, cannons are wailing, etc. It is hands down the most impressive, bad-ass thing I've ever seen in my life; I get goose bumps every time.

I think the best way to see this is not knowing anything at all about it beforehand; just trust Stan the man to get it done, okay? So I'm not saying a word about it. When people ask me about films, AFI Top 100-type films, they usually ask me if Citizen Kane is really the best film ever made. I say, Citizen Kane is a very good film, but Paths of Glory is better. You should watch it. Tonight.

Friday, November 5, 2010

November

I vowed to take it easy this month; last month's events nearly ruined me.



And with the upcoming release of Harry Potter and the Deathly Hallows, part one, on November 19, I have decided that I'll devote this month to HP, review the books, review the films. Don't roll your eyes, now, there's more.

In order to not completely alienate myself or lead everyone to believe that I've gone soft, I am coupling the Harry Potter series with eight other films, films with an edge: (two sides, one is light, one is dark?)

1. Dirty Harry
2. Paths of Glory
3. Beverly Hills Cop
4. Beverly Hills Cop 2
5. Bad Lieutenant 
6. The Last King of Scotland
7. The Departed
8. 8mm


I think the playing field is even. Any suggestions for further edge-y films? Let me know.

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